[
  {
    "request": "animated-master-v1",
    "model_id": "model_google-gemini-pro-image-editing",
    "parameters": {
      "prompt": "Create a single exceptionally art-directed cinema frame for an original short film called The Sun Keeper. This image is the opening composition of a locked-off continuous take, so it must show the keeper, her hands, the small sun, the cradle and the complete astronomical ring in a physically coherent room. Landscape 16:9, medium-wide, all of her body visible and occupying about one third of the image height. The keeper stands just left of centre in the near middle ground, facing three-quarter right toward a waist-high cradle. In both hands she carries a warm luminous sphere the size of an orange, wrapped in thin translucent cloth. The cradle is immediately to her right, a substantial cylinder with an open shallow bowl on top and a small vertical hand wheel facing camera. A vast vertical astronomical ring stands behind them, completely inside the composition, with enough headroom. Concentric floor inlays lead to the cradle; three tall piers on each side provide perspective and occlusion landmarks. A single strong visual idea, clear foreground/midground/background, expressive silhouette, designed negative space. The ring is dark and dormant at this instant. Only the small carried sphere glows. This is a poised moment before the action, not the climax. No text, no frame, no lettering, no watermark, no interface. Every costume seam and architectural detail must belong to the specified visual medium. When a Blender reference is supplied, it is a rough spatial diagram: preserve the relative positions and camera logic, replace every primitive proxy with fully finished art, and do not copy its plastic materials or featureless face.\n\nVISUAL MEDIUM: exquisitely crafted feature-animation film. A fictional adult female keeper, compact expressive proportions, warm brown skin, short wavy dark hair, amber eyes, a saffron canvas workcoat, deep indigo knitted scarf, rolled sleeves, chunky worn boots, and sensible brass fastenings. Her slightly oversized hands feel dexterous and anatomically clear. She is an appealing adult craftsperson, not a child. Rounded hand-built astronomical architecture in midnight glazed ceramic, celadon details, worn brass, teal painted timber and translucent porcelain. Tiny repairs and practical tools make the world lived-in, while the central silhouette stays clean. Light has warm volume and a cool, rich ambient fill. Delicate ceramic microtextures, cloth fibres and painted wood edges, exceptional material separation. Stylized facial construction, expressive eyes, believable weight, beautifully softened highlight transitions. The image feels like a frame from a lovingly authored animated feature with a distinctive production designer. Avoid rubber skin, generic stock 3D people, shiny toy plastic and excessive bokeh.",
      "resolution": "2K",
      "aspectRatio": "16:9",
      "numOutputs": 2,
      "useGoogleSearch": false,
      "referenceImages": [
        "asset_1RM3mf4bYjBdPfyJ7Yq2TAAi"
      ]
    },
    "estimated_cu": 50,
    "job_id": "job_bvzvB2CkRnqDpbLKibStVMMq",
    "status": "success",
    "asset_ids": [
      "asset_TEWroNSgs8oJ4qMuG4Uyp4Bd",
      "asset_psMp5SoLQxd9oANGd8JHUcd9"
    ],
    "actual_cu": 50
  },
  {
    "request": "animated-master-v2",
    "model_id": "model_google-gemini-pro-image-editing",
    "parameters": {
      "prompt": "Recompose reference image 1 into a breathtaking WIDE establishing shot of the SAME keeper, costume, captured sun, cradle and astronomical observatory. Reference image 2 is the rough Blender camera staging. Pull the camera back substantially: show both boots, floor below the keeper and the WHOLE ring with at least 8% headroom above it. The standing keeper occupies only 42% of total image HEIGHT, centered slightly left. Her hands, glowing orange-sized sun and the brass cradle must be readable. The small vertical wheel faces the camera on the cradle. Keep the ring dormant and dark; only the sun in her hands glows. Maintain the visual medium, face, costume palette and continuity of reference 1. This is not a simple border extension: deliberately compose a more magnificent monumental architectural cinema frame, enormous sculptural foreground piers framing the sides, layered depth and carefully directed pools of light, intricate yet physically intelligible inlaid celestial markings and patina. Keep a strong emotional focal point on the small keeper and her precious cargo. Vast quiet areas balance the richly crafted mechanisms. Landscape 16:9, no text, no border. Medium: tactile animated feature with exceptional character design. Glazed midnight-blue ceramic, turquoise enamel, worn brass, practical astronomical lenses and repairs. Moody light shafts create scale, gorgeous detailed materials retain broad readable silhouettes. She is an adult keeper. Avoid photorealism.",
      "referenceImages": [
        "asset_TEWroNSgs8oJ4qMuG4Uyp4Bd",
        "asset_1RM3mf4bYjBdPfyJ7Yq2TAAi"
      ],
      "resolution": "2K",
      "aspectRatio": "16:9",
      "numOutputs": 2,
      "useGoogleSearch": false
    },
    "estimated_cu": 50,
    "job_id": "job_h717dgDUPPj5Ea9eCuUKoFiy",
    "status": "success",
    "asset_ids": [
      "asset_DG3GGrGiaERtjNjT8SZfJ8Kd",
      "asset_VdYfBedsTU8wzVd7Awqz2BGq"
    ],
    "actual_cu": 50
  },
  {
    "request": "animated-recut-final-v1",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Rephotograph REFERENCE VIDEO 1 into a beautifully directed thirteen-camera film. The input is the complete approximately 20.04-second original performance. Keep exactly that duration and every action's original timing. Each output timestamp must show the action happening at that same timestamp in the source. Change camera placement, framing, focal length and depth of field only. Do not direct a new performance, retime, skip, repeat or reverse gestures. Keep body orientation, expression and gaze aimed at the SAME original world-space targets; the keeper never looks toward a newly placed camera. Keep the same person, costume, sphere, cloth, bowl, handwheel, ring, architecture and evolving illumination. One keeper, one sun, one cradle, one ring. The sphere stays supported by actual hands until placed, then stays in the bowl. Ring and pedestal stay anchored. Preserve original synchronized sound, no added music or speech. No text, split screen, labels, borders, transitions or crossfades. No magical prop duplication, extra limbs or floating hands.\n\nVISUAL MEDIUM: TACTILE FEATURE ANIMATION. Exactly the same adult keeper with short wavy dark hair, warm brown skin, saffron canvas workcoat and indigo scarf, indigo glazed ceramics, worn brass and hand-built mechanical details. Expressive face, crafted materials, confident animation design, no shift to live-action or flat cartoon.\n\nOBSERVED SOURCE ACTIONS, approximate intervals from half-second frame inspection, defer to the actual reference motion whenever these descriptions are less precise: 0-2.5 carries wrapped sun, looks down, a subtle approach. 2.5-5.0 carefully lifts away thin cloth. 5-6 holds uncovered sphere, prepares to lower it. 6-8.5 leans forward and places it in the sloping shallow brass bowl. 8.5-10.0 hands settle and release the sphere, she remains leaning. 10-12 attends and turns the existing wheel on the front of the cradle. 12.5-14.5 golden light travels through ring with beautiful warm reflected light. 14.5-15.5 releases mechanism, straightens and takes a small settling step. 15.5-17 raises gaze to ring. 17-20 quiet satisfied hold. Keep the adult craftsperson's proportions and weight.\n\nEXACT CAMERA EDIT. Thirteen shots joined only by twelve clean instantaneous hard cuts. Begin immediately in the new first camera, do not prepend the original source framing.\n01 0.00-1.35: 28mm wide from distinctly LEFT of the original camera, with a foreground pier as a dark edge and entire ring visible. Same keeper already holding sphere. A poised architectural frame, not a copy of source view.\n02 1.35-2.70: hard cut to 85mm three-quarter frontal portrait, face, shoulders and held sun. She continues the original action and gaze.\n03 2.70-4.40: hard cut to 50mm over LEFT shoulder toward the hands and cradle as cloth is lifted. Actual pose at these source times.\n04 4.40-5.90: hard cut to 100mm intimate hand-and-sun detail, uncovered glowing sphere cradled in fingers, beautifully lit material and cloth edge if still visible in source.\n05 5.90-7.30: hard cut to 65mm true RIGHT side profile, upper body, arms and bowl, exact ongoing lowering gesture.\n06 7.30-9.00: hard cut to 35mm overhead directly downward, source's sphere placement and hand release, floor circles and pedestal make a precise composition.\n07 9.00-10.40: hard cut to 100mm tight detail of the hand reaching the wheel, sphere remains resting in the bowl above.\n08 10.40-12.00: hard cut to 40mm low lateral view from knee height, camera farther RIGHT, torso, turning hand, pedestal and immense ring all present. Clearly different scale and position from shot 07.\n09 12.00-13.50: hard cut to 24mm dramatic low wide looking up toward the ring as its existing track illuminates, keeper small in foreground, exact body pose.\n10 13.50-15.00: hard cut to 85mm intimate face close-up from three-quarter front as gold light reaches skin or painted face, gaze follows original source, no premature look at camera.\n11 15.00-16.50: hard cut to 50mm reverse medium from BEHIND her right shoulder, source body straightens and hand leaves mechanism, ring ahead. Show the plausible reverse side of the same costume and room.\n12 16.50-18.20: hard cut to 85mm opposite-side profile close-up, her gaze rises into the warm light at the exact source time, small emotional reaction.\n13 18.20-END (approximately20.04): hard cut to elevated wide 24mm from the opposite front corner, full keeper, complete ring and reflections, quiet final hold. Remain inside the established observatory; do not invent an exterior building or another room.\n\nThe first cut MUST occur around1.35seconds, do not hold the establishing shot for several extra seconds. All13shots must be visibly distinct and framed for the source action rather than moving the actor to suit the camera. Prioritize beautiful intentional compositions and continuity. This is a single rephotography of an existing performance, not thirteen new clips stitched together.",
      "referenceVideos": [
        "asset_4YvczdQMidn4vogwvxN1ncor"
      ],
      "duration": -1,
      "resolution": "1080p",
      "generateAudio": true,
      "outputFormat": "mp4"
    },
    "estimated_cu": 2728,
    "job_id": "job_ZDT6ZmWAoJqfc4PhEBME7XWP",
    "status": "success",
    "asset_ids": [
      "asset_ku1tbzk7tD3ABzGehiTm8utR"
    ],
    "actual_cu": 2728
  },
  {
    "request": "animated-source-final-v1",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Use the supplied finished master image as frame one and maintain its exact character, set, materials and visual medium for one continuous 20-second shot. The camera is completely locked off on a tripod: identical focal length, optical centre, framing and exposure throughout. No cuts, no zoom, no pan, no tilt, no orbit. The following is intended choreography; make the physical movement natural and legible, with brief clear holds between actions. 0-3 seconds: the keeper looks from the captured sun in her hands to the empty cradle and takes one small step toward it. 3-6 seconds: she gently draws away the thin protective cloth with her left hand while her right hand supports the sun. 6-9 seconds: both hands lower the sphere into the open cradle. At the end it rests securely in the bowl, no longer floating or attached to a hand. 9-12 seconds: she releases it, lowers her left hand, and turns the small vertical wheel on the front of the pedestal one quarter turn with her right hand. 12-15 seconds: the sphere brightens, warm illumination advances through the existing circular mechanism; the ring itself remains attached to its supports and does not transform into a new object. 15-18 seconds: the keeper takes her right hand off the wheel, lifts her chin and watches the ring, visibly moved by the light. 18-20 seconds: she settles into a quiet smile; hold the final composition. Her gaze stays on the prop and ring, never searches for the camera. One keeper, one sphere, one cradle, one ring throughout. Hands always keep plausible contact and fingers; no duplicated props or bodies, no teleportation, no restaging of the room. Diegetic sound only: fabric, footstep, gentle brass contact, wheel ratchet, a resonant mechanical awakening and coastal room tone. No dialogue, no singing, no music, no score, no titles, no subtitles.\nThe cloth remains visibly draped over her left wrist once removed, rather than vanishing. Keep the sphere physically round after it sits in the cradle. She can reach the existing wheel naturally without the torso or hands passing through the pedestal. When the ring awakens, its existing engraved track glows progressively like sunrise and spreads warm reflected light across the floor and architectural details. Preserve the richly tactile feature-animation medium, expressive adult character and indigo ceramic materials; no change of medium.",
      "duration": 20,
      "resolution": "1080p",
      "aspectRatio": "16:9",
      "generateAudio": true,
      "outputFormat": "mp4",
      "image": "asset_VdYfBedsTU8wzVd7Awqz2BGq"
    },
    "estimated_cu": 2276,
    "job_id": "job_Cqk4NjBeXRpBode7LPug7JGG",
    "status": "success",
    "asset_ids": [
      "asset_4YvczdQMidn4vogwvxN1ncor"
    ],
    "actual_cu": 2276
  },
  {
    "request": "animated-source-pilot",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Use the supplied finished master image as frame one and maintain its exact character, set, materials and visual medium for one continuous 20-second shot. The camera is completely locked off on a tripod: identical focal length, optical centre, framing and exposure throughout. No cuts, no zoom, no pan, no tilt, no orbit. The following is intended choreography; make the physical movement natural and legible, with brief clear holds between actions. 0-3 seconds: the keeper looks from the captured sun in her hands to the empty cradle and takes one small step toward it. 3-6 seconds: she gently draws away the thin protective cloth with her left hand while her right hand supports the sun. 6-9 seconds: both hands lower the sphere into the open cradle. At the end it rests securely in the bowl, no longer floating or attached to a hand. 9-12 seconds: she releases it, lowers her left hand, and turns the small vertical wheel on the front of the pedestal one quarter turn with her right hand. 12-15 seconds: the sphere brightens, warm illumination advances through the existing circular mechanism; the ring itself remains attached to its supports and does not transform into a new object. 15-18 seconds: the keeper takes her right hand off the wheel, lifts her chin and watches the ring, visibly moved by the light. 18-20 seconds: she settles into a quiet smile; hold the final composition. Her gaze stays on the prop and ring, never searches for the camera. One keeper, one sphere, one cradle, one ring throughout. Hands always keep plausible contact and fingers; no duplicated props or bodies, no teleportation, no restaging of the room. Diegetic sound only: fabric, footstep, gentle brass contact, wheel ratchet, a resonant mechanical awakening and coastal room tone. No dialogue, no singing, no music, no score, no titles, no subtitles.",
      "duration": 20,
      "resolution": "480p",
      "aspectRatio": "16:9",
      "generateAudio": true,
      "outputFormat": "mp4",
      "image": "asset_VdYfBedsTU8wzVd7Awqz2BGq"
    },
    "estimated_cu": 412,
    "job_id": "job_ypuEzoZtZtA47fMo7XMHhhuN",
    "status": "success",
    "asset_ids": [
      "asset_ggHm4N7XT9KaRu7pZAoC5Xw8"
    ],
    "actual_cu": 412
  },
  {
    "request": "final-source-timeline-analysis",
    "model_id": "model_scenario-llm",
    "parameters": {
      "instruction": "You are an exacting film continuity editor. These three images are TIMESTAMPED CONTACT SHEETS sampled at 0.5-second intervals from three separate 20-second takes, in order: realistic Blue Hour, stylized Vermilion, animated Little Daybreak. Read each sheet row by row. Analyze ONLY visible evidence, not audio. For each style give the actual temporal intervals for approach, cloth removal, placement of the sun in the bowl, hand release, handwheel turning, ring illumination onset/completion, upward gaze and final reaction. Distinguish left/right hand only if clear; do not guess. Describe visible prop or body continuity risks. Detect any apparent camera movement by comparing background landmarks, without confusing actor movement. Suggest a 13-shot camera edit covering the exact same full performance, preserving the real actions rather than inventing new choreography. State the precision limit of 0.5s sampling; never claim frame-accurate timing. Keep concrete and concise. Use the real sample timestamps printed on the sheets.",
      "images": [
        "asset_2TTsEG3M59wFnTegMDoZhD9e",
        "asset_MHrKbPk4qV9gtGK1osU39J6c",
        "asset_6Gp5CFyB7PSU3PbNmdZdeKJu"
      ],
      "model": "gemini-3.7-flash",
      "thinkingLevel": "high",
      "numOutputs": 1
    },
    "estimated_cu": 3.25,
    "job_id": "job_5kKDeMrBqkGoLU1otaTcGn5w",
    "status": "success",
    "asset_ids": [
      "asset_E2m5M8hvkqdDQF8ZarVcADdQ"
    ],
    "actual_cu": 3.25
  },
  {
    "request": "realistic-master-v1",
    "model_id": "model_google-gemini-pro-image-editing",
    "parameters": {
      "prompt": "Create a single exceptionally art-directed cinema frame for an original short film called The Sun Keeper. This image is the opening composition of a locked-off continuous take, so it must show the keeper, her hands, the small sun, the cradle and the complete astronomical ring in a physically coherent room. Landscape 16:9, medium-wide, all of her body visible and occupying about one third of the image height. The keeper stands just left of centre in the near middle ground, facing three-quarter right toward a waist-high cradle. In both hands she carries a warm luminous sphere the size of an orange, wrapped in thin translucent cloth. The cradle is immediately to her right, a substantial cylinder with an open shallow bowl on top and a small vertical hand wheel facing camera. A vast vertical astronomical ring stands behind them, completely inside the composition, with enough headroom. Concentric floor inlays lead to the cradle; three tall piers on each side provide perspective and occlusion landmarks. A single strong visual idea, clear foreground/midground/background, expressive silhouette, designed negative space. The ring is dark and dormant at this instant. Only the small carried sphere glows. This is a poised moment before the action, not the climax. No text, no frame, no lettering, no watermark, no interface. Every costume seam and architectural detail must belong to the specified visual medium. When a Blender reference is supplied, it is a rough spatial diagram: preserve the relative positions and camera logic, replace every primitive proxy with fully finished art, and do not copy its plastic materials or featureless face.\n\nVISUAL MEDIUM: live-action cinema photographed on location with exceptional practical production design. A fictional adult woman about forty with close-cropped dark hair, natural olive skin, a weathered oxblood waxed-cotton coat, charcoal wool beneath and fitted work gloves. Calm concentration in her face, real skin, subtle asymmetry, tangible fabric weight. A decommissioned coastal observatory in wet basalt and oxidized copper, salt-streaked glazing and pitted brass. The astronomical ring is plausible handmade mechanical engineering, bolted structural sections, inset scales without readable lettering, balanced supports. Pale sea haze through a great circular opening behind it. Blue-hour daylight, the warm sphere subtly illuminating her lower face and fingertips. Restrained anamorphic character, natural photographic contrast, gentle halation only on the sun, believable reflections, no teal-orange LUT abuse. Rich dark tones retain detail. Her body and the entire mechanical ring must remain visible. No digital-game sheen, science-fiction armour, gratuitous holograms, lens flares or magical architecture without weight.",
      "resolution": "2K",
      "aspectRatio": "16:9",
      "numOutputs": 2,
      "useGoogleSearch": false,
      "referenceImages": [
        "asset_1RM3mf4bYjBdPfyJ7Yq2TAAi"
      ]
    },
    "estimated_cu": 50,
    "job_id": "job_ACUNtb2o4nUpQPSER63dQdGY",
    "status": "success",
    "asset_ids": [
      "asset_4bW1gt7eJUTmcP8dU2prbAM6",
      "asset_mZwwpCeheHYbrszJLpdvt4VK"
    ],
    "actual_cu": 50
  },
  {
    "request": "realistic-master-v2",
    "model_id": "model_google-gemini-pro-image-editing",
    "parameters": {
      "prompt": "Recompose reference image 1 into a breathtaking WIDE establishing shot of the SAME keeper, costume, captured sun, cradle and astronomical observatory. Reference image 2 is the rough Blender camera staging. Pull the camera back substantially: show both boots, floor below the keeper and the WHOLE ring with at least 8% headroom above it. The standing keeper occupies only 42% of total image HEIGHT, centered slightly left. Her hands, glowing orange-sized sun and the brass cradle must be readable. The small vertical wheel faces the camera on the cradle. Keep the ring dormant and dark; only the sun in her hands glows. Maintain the visual medium, face, costume palette and continuity of reference 1. This is not a simple border extension: deliberately compose a more magnificent monumental architectural cinema frame, enormous sculptural foreground piers framing the sides, layered depth and carefully directed pools of light, intricate yet physically intelligible inlaid celestial markings and patina. Keep a strong emotional focal point on the small keeper and her precious cargo. Vast quiet areas balance the richly crafted mechanisms. Landscape 16:9, no text, no border. Medium: extraordinary live-action cinematography, sea haze beyond the circular glazing, wet basalt floor reflections, heavy worn brass/copper astronomical apparatus bolted to plinth. Blue-hour photographic light and warm sun, understated 35mm grain, natural realism without digital gloss. The scene is a grand coastal observatory, not a small room.",
      "referenceImages": [
        "asset_mZwwpCeheHYbrszJLpdvt4VK",
        "asset_1RM3mf4bYjBdPfyJ7Yq2TAAi"
      ],
      "resolution": "2K",
      "aspectRatio": "16:9",
      "numOutputs": 2,
      "useGoogleSearch": false
    },
    "estimated_cu": 50,
    "job_id": "job_ZAncAivd8LADHHXJX4e3KKms",
    "status": "success",
    "asset_ids": [
      "asset_YxZGvrGdaggw5JpwsJrc7mXt",
      "asset_sZdZchPTCnRMmTNyCoHyuf9M"
    ],
    "actual_cu": 50
  },
  {
    "request": "realistic-recut-final-v1",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Rephotograph REFERENCE VIDEO 1 into a beautifully directed thirteen-camera film. The input is the complete approximately 20.04-second original performance. Keep exactly that duration and every action's original timing. Each output timestamp must show the action happening at that same timestamp in the source. Change camera placement, framing, focal length and depth of field only. Do not direct a new performance, retime, skip, repeat or reverse gestures. Keep body orientation, expression and gaze aimed at the SAME original world-space targets; the keeper never looks toward a newly placed camera. Keep the same person, costume, sphere, cloth, bowl, handwheel, ring, architecture and evolving illumination. One keeper, one sun, one cradle, one ring. The sphere stays supported by actual hands until placed, then stays in the bowl. Ring and pedestal stay anchored. Preserve original synchronized sound, no added music or speech. No text, split screen, labels, borders, transitions or crossfades. No magical prop duplication, extra limbs or floating hands.\n\nVISUAL MEDIUM: LIVE-ACTION photographic realism. Natural olive skin, close-cropped dark hair, oxblood weather coat, practical gloves, wet basalt and worn brass, blue-hour sea haze gradually warmed by the source's light. Skin pores, subtle realistic optics and tactile fabric; no animation, smoothing or videogame style.\n\nOBSERVED SOURCE ACTIONS, approximate intervals from half-second frame inspection, defer to the actual reference motion whenever these descriptions are less precise: 0-2.5 holds the wrapped sun and makes a small approach. 2.5-4.5 removes the cloth. 4.5-6 holds the uncovered sphere. 6-8.7 lowers it and settles it into the bowl. 8.7-9.5 releases the sphere. 9.5-11.6 attends and turns the handwheel. At about 11.5 a faint warm track starts to awaken, visibly glowing around 12; 12-14.5 warm light completes the ring and the coastal haze becomes golden. 14.5-15.5 she straightens and releases the mechanism. 15.5-17 raises chin, looks at ring. 17-20 quiet reaction and final hold.\n\nEXACT CAMERA EDIT. Thirteen shots joined only by twelve clean instantaneous hard cuts. Begin immediately in the new first camera, do not prepend the original source framing.\n01 0.00-1.35: 28mm wide from distinctly LEFT of the original camera, with a foreground pier as a dark edge and entire ring visible. Same keeper already holding sphere. A poised architectural frame, not a copy of source view.\n02 1.35-2.70: hard cut to 85mm three-quarter frontal portrait, face, shoulders and held sun. She continues the original action and gaze.\n03 2.70-4.40: hard cut to 50mm over LEFT shoulder toward the hands and cradle as cloth is lifted. Actual pose at these source times.\n04 4.40-5.90: hard cut to 100mm intimate hand-and-sun detail, uncovered glowing sphere cradled in fingers, beautifully lit material and cloth edge if still visible in source.\n05 5.90-7.30: hard cut to 65mm true RIGHT side profile, upper body, arms and bowl, exact ongoing lowering gesture.\n06 7.30-9.00: hard cut to 35mm overhead directly downward, source's sphere placement and hand release, floor circles and pedestal make a precise composition.\n07 9.00-10.40: hard cut to 100mm tight detail of the hand reaching the wheel, sphere remains resting in the bowl above.\n08 10.40-12.00: hard cut to 40mm low lateral view from knee height, camera farther RIGHT, torso, turning hand, pedestal and immense ring all present. Clearly different scale and position from shot 07.\n09 12.00-13.50: hard cut to 24mm dramatic low wide looking up toward the ring as its existing track illuminates, keeper small in foreground, exact body pose.\n10 13.50-15.00: hard cut to 85mm intimate face close-up from three-quarter front as gold light reaches skin or painted face, gaze follows original source, no premature look at camera.\n11 15.00-16.50: hard cut to 50mm reverse medium from BEHIND her right shoulder, source body straightens and hand leaves mechanism, ring ahead. Show the plausible reverse side of the same costume and room.\n12 16.50-18.20: hard cut to 85mm opposite-side profile close-up, her gaze rises into the warm light at the exact source time, small emotional reaction.\n13 18.20-END (approximately20.04): hard cut to elevated wide 24mm from the opposite front corner, full keeper, complete ring and reflections, quiet final hold. Remain inside the established observatory; do not invent an exterior building or another room.\n\nThe first cut MUST occur around1.35seconds, do not hold the establishing shot for several extra seconds. All13shots must be visibly distinct and framed for the source action rather than moving the actor to suit the camera. Prioritize beautiful intentional compositions and continuity. This is a single rephotography of an existing performance, not thirteen new clips stitched together.",
      "referenceVideos": [
        "asset_ufRTWKTMdxtDBmGyHSCkuyE6"
      ],
      "duration": -1,
      "resolution": "1080p",
      "generateAudio": true,
      "outputFormat": "mp4"
    },
    "estimated_cu": 2728,
    "job_id": "job_DzocwDN7SgewXJsrsNbxhB8i",
    "status": "success",
    "asset_ids": [
      "asset_314ZwhsGKGKSkwLNRxJo7Ygw"
    ],
    "actual_cu": 2728
  },
  {
    "request": "realistic-recut-pilot-v1",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "REFERENCE VIDEO 1 IS THE SOLE SOURCE OF TRUTH. Rephotograph this exact approximately 20-second performance as thirteen precise, cinematic hard-cut camera shots. Preserve the original timebase one-to-one, all gestures and poses at exactly their original timestamps, costume, woman, sun sphere, cloth, mechanism, scene lighting evolution, room, original eyelines and source audio. Do not make a new performance. Do not retime, skip, replay, slow down or reverse any action. There is exactly one keeper, one sun, one cradle and one ring in the same positions. Change ONLY camera viewpoint, shot size, focal length and photographic depth of field. New cameras show plausible unseen sides of the same scene. Keep continuous action across each cut; never restart a gesture at a cut. She must keep looking toward the original props and ring, never turn her head to seek a new camera. The miniature sun remains carried until placed at about 7-9 seconds, then rests on the pedestal for the rest of the film. The large ring remains structurally attached and dark until its actual illumination at approximately 12 seconds. Preserve all fine details of the live-action coastal observatory and natural skin. No text or titles, no split screen, no montage grid, no borders, no dissolves.\nACTUAL SOURCE ACTIONS: 0-2 she stands holding the cloth-wrapped sun and looks down, slight approach. 2-4.6 she lifts away the cloth with her left hand while supporting the sphere. 4.6-6.3 uncovered sun in front of her. 6.3-8.8 both hands lower the sphere into the shallow cradle. By 9.1 it is resting in the bowl and she releases it. 9.2-11.8 right hand turns the vertical wheel on front of the cylinder. 12-15 the existing ring's inner track progressively illuminates warm gold. She still attends the mechanism. 15-16.3 she removes her hand and straightens. 16.3-18.2 chin rises and gaze turns upward along the glowing ring. 18.2-end settles into the quiet reaction.\nTHE CAMERA EDIT, EXACTLY THIRTEEN SHOTS, NO EXTRA CUTS:\n01 00.00-01.60: 28mm establishing wide, clear whole room with woman and ring. Static elegant composition.\n02 01.60-03.00: hard cut to 85mm medium portrait from three-quarter front, her face and sphere at chest height, natural downward eyeline, don't change her action.\n03 03.00-04.80: hard cut to 50mm over her left shoulder looking down into her hands, cloth lifting with her exact source pose.\n04 04.80-06.30: hard cut to 100mm close detail of gloved fingers supporting the uncovered glowing sun, brass cradle softly beyond. No extra fingers.\n05 06.30-07.60: hard cut to 65mm true side profile from her right, both arms and bowl visible while she begins lowering the sun.\n06 07.60-09.20: hard cut to 35mm overhead straight down, the actual placement into the bowl, concentric floor lines, plausible arm anatomy and height.\n07 09.20-10.60: hard cut to 100mm macro of the right hand meeting the vertical wheel, sun already resting in bowl above.\n08 10.60-12.00: hard cut to 50mm low lateral close shot from pedestal height, hand turns wheel, ring rises out of focus behind.\n09 12.00-13.50: hard cut to 24mm low wide looking upward with the ring towering over her, illumination travels through its existing metal track, keeper below still in exact pose.\n10 13.50-15.00: hard cut to 85mm close face from three-quarter front, gold light reaches cheek and eyes, preserve her current downcast gaze.\n11 15.00-16.40: hard cut to 50mm medium reverse view from behind her right shoulder, same body straightening and hand released, same ring ahead; the view reveals a believable reverse side of the existing set.\n12 16.40-18.20: hard cut to 85mm intimate profile close-up of her face raising its gaze into the golden light, subtle natural emotion.\n13 18.20-END: hard cut to high wide 24mm from the opposite front corner, full figure beside glowing sun, the whole ring and reflected pool of light; quiet final hold.\nLenses are a cinematic visual guide, not an excuse for reframing the body. Maintain the exact temporal performance, objects and gaze of the reference at every output frame. Each hard cut produces a visibly new camera angle. The result is one coherent beautifully lit live-action film with the same original synchronized audio, no added speech or music.",
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    "request": "realistic-source-final-v1",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Use the supplied finished master image as frame one and maintain its exact character, set, materials and visual medium for one continuous 20-second shot. The camera is completely locked off on a tripod: identical focal length, optical centre, framing and exposure throughout. No cuts, no zoom, no pan, no tilt, no orbit. The following is intended choreography; make the physical movement natural and legible, with brief clear holds between actions. 0-3 seconds: the keeper looks from the captured sun in her hands to the empty cradle and takes one small step toward it. 3-6 seconds: she gently draws away the thin protective cloth with her left hand while her right hand supports the sun. 6-9 seconds: both hands lower the sphere into the open cradle. At the end it rests securely in the bowl, no longer floating or attached to a hand. 9-12 seconds: she releases it, lowers her left hand, and turns the small vertical wheel on the front of the pedestal one quarter turn with her right hand. 12-15 seconds: the sphere brightens, warm illumination advances through the existing circular mechanism; the ring itself remains attached to its supports and does not transform into a new object. 15-18 seconds: the keeper takes her right hand off the wheel, lifts her chin and watches the ring, visibly moved by the light. 18-20 seconds: she settles into a quiet smile; hold the final composition. Her gaze stays on the prop and ring, never searches for the camera. One keeper, one sphere, one cradle, one ring throughout. Hands always keep plausible contact and fingers; no duplicated props or bodies, no teleportation, no restaging of the room. Diegetic sound only: fabric, footstep, gentle brass contact, wheel ratchet, a resonant mechanical awakening and coastal room tone. No dialogue, no singing, no music, no score, no titles, no subtitles.\nAs the existing ring awakens at 12-15 seconds, its engraved inner track glows like a sunrise, casting a beautiful advancing pool of warm light across the wet stone floor, brass and her coat. A restrained shaft of warm light reveals the sea mist. The whole room becomes quietly luminous by the end, without flicker, smoke explosions or changing the architecture. Keep the image cinematic and physically photographed.",
      "duration": 20,
      "resolution": "1080p",
      "aspectRatio": "16:9",
      "generateAudio": true,
      "outputFormat": "mp4",
      "image": "asset_sZdZchPTCnRMmTNyCoHyuf9M"
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    "estimated_cu": 2276,
    "job_id": "job_HF7ZiTxjE7j2SoPjybsavUNf",
    "status": "success",
    "asset_ids": [
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    "request": "realistic-source-pilot",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Use the supplied finished master image as frame one and maintain its exact character, set, materials and visual medium for one continuous 20-second shot. The camera is completely locked off on a tripod: identical focal length, optical centre, framing and exposure throughout. No cuts, no zoom, no pan, no tilt, no orbit. The following is intended choreography; make the physical movement natural and legible, with brief clear holds between actions. 0-3 seconds: the keeper looks from the captured sun in her hands to the empty cradle and takes one small step toward it. 3-6 seconds: she gently draws away the thin protective cloth with her left hand while her right hand supports the sun. 6-9 seconds: both hands lower the sphere into the open cradle. At the end it rests securely in the bowl, no longer floating or attached to a hand. 9-12 seconds: she releases it, lowers her left hand, and turns the small vertical wheel on the front of the pedestal one quarter turn with her right hand. 12-15 seconds: the sphere brightens, warm illumination advances through the existing circular mechanism; the ring itself remains attached to its supports and does not transform into a new object. 15-18 seconds: the keeper takes her right hand off the wheel, lifts her chin and watches the ring, visibly moved by the light. 18-20 seconds: she settles into a quiet smile; hold the final composition. Her gaze stays on the prop and ring, never searches for the camera. One keeper, one sphere, one cradle, one ring throughout. Hands always keep plausible contact and fingers; no duplicated props or bodies, no teleportation, no restaging of the room. Diegetic sound only: fabric, footstep, gentle brass contact, wheel ratchet, a resonant mechanical awakening and coastal room tone. No dialogue, no singing, no music, no score, no titles, no subtitles.",
      "duration": 20,
      "resolution": "480p",
      "aspectRatio": "16:9",
      "generateAudio": true,
      "outputFormat": "mp4",
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    "job_id": "job_jMjd5e39d2QfMqD9Q682d2bp",
    "status": "success",
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  {
    "request": "stylized-master-v1",
    "model_id": "model_google-gemini-pro-image-editing",
    "parameters": {
      "prompt": "Create a single exceptionally art-directed cinema frame for an original short film called The Sun Keeper. This image is the opening composition of a locked-off continuous take, so it must show the keeper, her hands, the small sun, the cradle and the complete astronomical ring in a physically coherent room. Landscape 16:9, medium-wide, all of her body visible and occupying about one third of the image height. The keeper stands just left of centre in the near middle ground, facing three-quarter right toward a waist-high cradle. In both hands she carries a warm luminous sphere the size of an orange, wrapped in thin translucent cloth. The cradle is immediately to her right, a substantial cylinder with an open shallow bowl on top and a small vertical hand wheel facing camera. A vast vertical astronomical ring stands behind them, completely inside the composition, with enough headroom. Concentric floor inlays lead to the cradle; three tall piers on each side provide perspective and occlusion landmarks. A single strong visual idea, clear foreground/midground/background, expressive silhouette, designed negative space. The ring is dark and dormant at this instant. Only the small carried sphere glows. This is a poised moment before the action, not the climax. No text, no frame, no lettering, no watermark, no interface. Every costume seam and architectural detail must belong to the specified visual medium. When a Blender reference is supplied, it is a rough spatial diagram: preserve the relative positions and camera logic, replace every primitive proxy with fully finished art, and do not copy its plastic materials or featureless face.\n\nVISUAL MEDIUM: radical hand-painted graphic cinema. Three-dimensional staging translated into confident flat colour masses, brush-cut silhouettes, visibly layered mineral pigment and delicately engraved gold. A fictional adult woman with a precise asymmetric black bob, long angular vermilion cloak, high collar, chalk-white sleeves and elegant dark hands. Her face has a few deliberate calligraphic marks, readable from this distance. Ultramarine and ink-blue monumental architecture, ivory salt-encrusted floor, asymmetric copper and gold celestial mechanisms. Behind the ring, a pale rectangular aperture with a very restrained wash of coral dawn. Atmospheric perspective built from painted edges rather than photoreal fog. Palette: deep indigo, oxidized ultramarine, hot vermilion, chalk, small gold highlights. Strong graphic drama, intelligent shape language, dense craftsmanship inside broad quiet areas. The finish is an original moving illustrated epic, neither photoreal nor a glossy game render. Avoid generic ornamental clutter, gradients replacing painted form, and oversaturated neon.",
      "resolution": "2K",
      "aspectRatio": "16:9",
      "numOutputs": 2,
      "useGoogleSearch": false,
      "referenceImages": [
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    },
    "estimated_cu": 50,
    "job_id": "job_K3XyyYa94gUu29TLez1MTSki",
    "status": "success",
    "asset_ids": [
      "asset_DDzGm5uWLxafmoX6hJ3C5V8E",
      "asset_bNvi6tZtKHRsLNYcV4ctn8M1"
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  },
  {
    "request": "stylized-master-v2",
    "model_id": "model_google-gemini-pro-image-editing",
    "parameters": {
      "prompt": "Recompose reference image 1 into a breathtaking WIDE establishing shot of the SAME keeper, costume, captured sun, cradle and astronomical observatory. Reference image 2 is the rough Blender camera staging. Pull the camera back substantially: show both boots, floor below the keeper and the WHOLE ring with at least 8% headroom above it. The standing keeper occupies only 42% of total image HEIGHT, centered slightly left. Her hands, glowing orange-sized sun and the brass cradle must be readable. The small vertical wheel faces the camera on the cradle. Keep the ring dormant and dark; only the sun in her hands glows. Maintain the visual medium, face, costume palette and continuity of reference 1. This is not a simple border extension: deliberately compose a more magnificent monumental architectural cinema frame, enormous sculptural foreground piers framing the sides, layered depth and carefully directed pools of light, intricate yet physically intelligible inlaid celestial markings and patina. Keep a strong emotional focal point on the small keeper and her precious cargo. Vast quiet areas balance the richly crafted mechanisms. Landscape 16:9, no text, no border. Medium: prestige hand-painted animation, sculpted graphic shapes with visible dry-brush paper grain, deep ultramarine and warm chalk, vivid vermilion cloth and meticulous restrained gold engraved mechanisms. Every edge intentionally painted, intense negative space, dynamic asymmetrical architecture, never flat vector clipart.",
      "referenceImages": [
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        "asset_1RM3mf4bYjBdPfyJ7Yq2TAAi"
      ],
      "resolution": "2K",
      "aspectRatio": "16:9",
      "numOutputs": 2,
      "useGoogleSearch": false
    },
    "estimated_cu": 50,
    "job_id": "job_QYV5FRW7mRKLoVafZzZD4P6V",
    "status": "success",
    "asset_ids": [
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    "actual_cu": 50
  },
  {
    "request": "stylized-recut-final-v1",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Rephotograph REFERENCE VIDEO 1 into a beautifully directed thirteen-camera film. The input is the complete approximately 20.04-second original performance. Keep exactly that duration and every action's original timing. Each output timestamp must show the action happening at that same timestamp in the source. Change camera placement, framing, focal length and depth of field only. Do not direct a new performance, retime, skip, repeat or reverse gestures. Keep body orientation, expression and gaze aimed at the SAME original world-space targets; the keeper never looks toward a newly placed camera. Keep the same person, costume, sphere, cloth, bowl, handwheel, ring, architecture and evolving illumination. One keeper, one sun, one cradle, one ring. The sphere stays supported by actual hands until placed, then stays in the bowl. Ring and pedestal stay anchored. Preserve original synchronized sound, no added music or speech. No text, split screen, labels, borders, transitions or crossfades. No magical prop duplication, extra limbs or floating hands.\n\nVISUAL MEDIUM: HIGHLY STYLIZED hand-painted graphic cinema. Exactly the same adult woman, asymmetric black bob, angular vermilion cloak, white sleeves, dark hands, chalk/ultramarine painted architecture and engraved gold ring. Maintain brush-cut edges and controlled flat color shapes even in the intimate close-ups. No photorealism, no 3D toy look, no change in drawing style.\n\nOBSERVED SOURCE ACTIONS, approximate intervals from half-second frame inspection, defer to the actual reference motion whenever these descriptions are less precise: 0-2.5 she takes a small step behind the pedestal and turns toward it, carrying the sphere. Preserve this actual body turn. 2.5-5.0 lifts cloth away and lets it fall toward the floor at her side. 5-6 holds uncovered sphere in both hands. 6-8.0 lowers it into bowl. 8-9.5 settles and releases sphere. 9.5-12.0 right hand reaches the wheel at the side of the pedestal and turns it. 12.5-15 the engraved ring progressively glows gold. 15-16.5 straightens and looks upward into the light. 16.5-20 serene final expression and hold. The depicted cloth falls in the source; preserve that rather than returning it to her wrist.\n\nEXACT CAMERA EDIT. Thirteen shots joined only by twelve clean instantaneous hard cuts. Begin immediately in the new first camera, do not prepend the original source framing.\n01 0.00-1.35: 28mm wide from distinctly LEFT of the original camera, with a foreground pier as a dark edge and entire ring visible. Same keeper already holding sphere. A poised architectural frame, not a copy of source view.\n02 1.35-2.70: hard cut to 85mm three-quarter frontal portrait, face, shoulders and held sun. She continues the original action and gaze.\n03 2.70-4.40: hard cut to 50mm over LEFT shoulder toward the hands and cradle as cloth is lifted. Actual pose at these source times.\n04 4.40-5.90: hard cut to 100mm intimate hand-and-sun detail, uncovered glowing sphere cradled in fingers, beautifully lit material and cloth edge if still visible in source.\n05 5.90-7.30: hard cut to 65mm true RIGHT side profile, upper body, arms and bowl, exact ongoing lowering gesture.\n06 7.30-9.00: hard cut to 35mm overhead directly downward, source's sphere placement and hand release, floor circles and pedestal make a precise composition.\n07 9.00-10.40: hard cut to 100mm tight detail of the hand reaching the wheel, sphere remains resting in the bowl above.\n08 10.40-12.00: hard cut to 40mm low lateral view from knee height, camera farther RIGHT, torso, turning hand, pedestal and immense ring all present. Clearly different scale and position from shot 07.\n09 12.00-13.50: hard cut to 24mm dramatic low wide looking up toward the ring as its existing track illuminates, keeper small in foreground, exact body pose.\n10 13.50-15.00: hard cut to 85mm intimate face close-up from three-quarter front as gold light reaches skin or painted face, gaze follows original source, no premature look at camera.\n11 15.00-16.50: hard cut to 50mm reverse medium from BEHIND her right shoulder, source body straightens and hand leaves mechanism, ring ahead. Show the plausible reverse side of the same costume and room.\n12 16.50-18.20: hard cut to 85mm opposite-side profile close-up, her gaze rises into the warm light at the exact source time, small emotional reaction.\n13 18.20-END (approximately20.04): hard cut to elevated wide 24mm from the opposite front corner, full keeper, complete ring and reflections, quiet final hold. Remain inside the established observatory; do not invent an exterior building or another room.\n\nThe first cut MUST occur around1.35seconds, do not hold the establishing shot for several extra seconds. All13shots must be visibly distinct and framed for the source action rather than moving the actor to suit the camera. Prioritize beautiful intentional compositions and continuity. This is a single rephotography of an existing performance, not thirteen new clips stitched together.",
      "referenceVideos": [
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      "duration": -1,
      "resolution": "1080p",
      "generateAudio": true,
      "outputFormat": "mp4"
    },
    "estimated_cu": 2728,
    "job_id": "job_E8Uk7EJmncbswh7YThnuxRPu",
    "status": "success",
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    "actual_cu": 2728
  },
  {
    "request": "stylized-source-final-v1",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Use the supplied finished master image as frame one and maintain its exact character, set, materials and visual medium for one continuous 20-second shot. The camera is completely locked off on a tripod: identical focal length, optical centre, framing and exposure throughout. No cuts, no zoom, no pan, no tilt, no orbit. The following is intended choreography; make the physical movement natural and legible, with brief clear holds between actions. 0-3 seconds: the keeper looks from the captured sun in her hands to the empty cradle and takes one small step toward it. 3-6 seconds: she gently draws away the thin protective cloth with her left hand while her right hand supports the sun. 6-9 seconds: both hands lower the sphere into the open cradle. At the end it rests securely in the bowl, no longer floating or attached to a hand. 9-12 seconds: she releases it, lowers her left hand, and turns the small vertical wheel on the front of the pedestal one quarter turn with her right hand. 12-15 seconds: the sphere brightens, warm illumination advances through the existing circular mechanism; the ring itself remains attached to its supports and does not transform into a new object. 15-18 seconds: the keeper takes her right hand off the wheel, lifts her chin and watches the ring, visibly moved by the light. 18-20 seconds: she settles into a quiet smile; hold the final composition. Her gaze stays on the prop and ring, never searches for the camera. One keeper, one sphere, one cradle, one ring throughout. Hands always keep plausible contact and fingers; no duplicated props or bodies, no teleportation, no restaging of the room. Diegetic sound only: fabric, footstep, gentle brass contact, wheel ratchet, a resonant mechanical awakening and coastal room tone. No dialogue, no singing, no music, no score, no titles, no subtitles.\nThe cloth remains visibly draped over her left wrist once removed, rather than vanishing. Keep the sphere physically round after it sits in the cradle. She can reach the existing wheel naturally without the torso or hands passing through the pedestal. When the ring awakens, its existing engraved track glows progressively like sunrise and spreads warm reflected light across the floor and architectural details. Preserve the exact graphic painted style, flat shapes and brush-cut edges throughout the animation, including her face; do not make it photoreal.",
      "duration": 20,
      "resolution": "1080p",
      "aspectRatio": "16:9",
      "generateAudio": true,
      "outputFormat": "mp4",
      "image": "asset_nL46GyjrSHrZcEbGUQmcSLBW"
    },
    "estimated_cu": 2276,
    "job_id": "job_T1Em6ZYwJsXztQyMHMj9HPqX",
    "status": "success",
    "asset_ids": [
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    "actual_cu": 2276
  },
  {
    "request": "stylized-source-pilot",
    "model_id": "model_bytedance-seedance-2-5",
    "parameters": {
      "prompt": "Use the supplied finished master image as frame one and maintain its exact character, set, materials and visual medium for one continuous 20-second shot. The camera is completely locked off on a tripod: identical focal length, optical centre, framing and exposure throughout. No cuts, no zoom, no pan, no tilt, no orbit. The following is intended choreography; make the physical movement natural and legible, with brief clear holds between actions. 0-3 seconds: the keeper looks from the captured sun in her hands to the empty cradle and takes one small step toward it. 3-6 seconds: she gently draws away the thin protective cloth with her left hand while her right hand supports the sun. 6-9 seconds: both hands lower the sphere into the open cradle. At the end it rests securely in the bowl, no longer floating or attached to a hand. 9-12 seconds: she releases it, lowers her left hand, and turns the small vertical wheel on the front of the pedestal one quarter turn with her right hand. 12-15 seconds: the sphere brightens, warm illumination advances through the existing circular mechanism; the ring itself remains attached to its supports and does not transform into a new object. 15-18 seconds: the keeper takes her right hand off the wheel, lifts her chin and watches the ring, visibly moved by the light. 18-20 seconds: she settles into a quiet smile; hold the final composition. Her gaze stays on the prop and ring, never searches for the camera. One keeper, one sphere, one cradle, one ring throughout. Hands always keep plausible contact and fingers; no duplicated props or bodies, no teleportation, no restaging of the room. Diegetic sound only: fabric, footstep, gentle brass contact, wheel ratchet, a resonant mechanical awakening and coastal room tone. No dialogue, no singing, no music, no score, no titles, no subtitles.",
      "duration": 20,
      "resolution": "480p",
      "aspectRatio": "16:9",
      "generateAudio": true,
      "outputFormat": "mp4",
      "image": "asset_nL46GyjrSHrZcEbGUQmcSLBW"
    },
    "estimated_cu": 412,
    "job_id": "job_WtQsoNH9ZWcTSJF5HxKvvNf2",
    "status": "success",
    "asset_ids": [
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]