REFERENCE VIDEO 1 IS THE SOLE SOURCE OF TRUTH. Rephotograph this exact approximately 20-second performance as thirteen precise, cinematic hard-cut camera shots. Preserve the original timebase one-to-one, all gestures and poses at exactly their original timestamps, costume, woman, sun sphere, cloth, mechanism, scene lighting evolution, room, original eyelines and source audio. Do not make a new performance. Do not retime, skip, replay, slow down or reverse any action. There is exactly one keeper, one sun, one cradle and one ring in the same positions. Change ONLY camera viewpoint, shot size, focal length and photographic depth of field. New cameras show plausible unseen sides of the same scene. Keep continuous action across each cut; never restart a gesture at a cut. She must keep looking toward the original props and ring, never turn her head to seek a new camera. The miniature sun remains carried until placed at about 7-9 seconds, then rests on the pedestal for the rest of the film. The large ring remains structurally attached and dark until its actual illumination at approximately 12 seconds. Preserve all fine details of the live-action coastal observatory and natural skin. No text or titles, no split screen, no montage grid, no borders, no dissolves.
ACTUAL SOURCE ACTIONS: 0-2 she stands holding the cloth-wrapped sun and looks down, slight approach. 2-4.6 she lifts away the cloth with her left hand while supporting the sphere. 4.6-6.3 uncovered sun in front of her. 6.3-8.8 both hands lower the sphere into the shallow cradle. By 9.1 it is resting in the bowl and she releases it. 9.2-11.8 right hand turns the vertical wheel on front of the cylinder. 12-15 the existing ring's inner track progressively illuminates warm gold. She still attends the mechanism. 15-16.3 she removes her hand and straightens. 16.3-18.2 chin rises and gaze turns upward along the glowing ring. 18.2-end settles into the quiet reaction.
THE CAMERA EDIT, EXACTLY THIRTEEN SHOTS, NO EXTRA CUTS:
01 00.00-01.60: 28mm establishing wide, clear whole room with woman and ring. Static elegant composition.
02 01.60-03.00: hard cut to 85mm medium portrait from three-quarter front, her face and sphere at chest height, natural downward eyeline, don't change her action.
03 03.00-04.80: hard cut to 50mm over her left shoulder looking down into her hands, cloth lifting with her exact source pose.
04 04.80-06.30: hard cut to 100mm close detail of gloved fingers supporting the uncovered glowing sun, brass cradle softly beyond. No extra fingers.
05 06.30-07.60: hard cut to 65mm true side profile from her right, both arms and bowl visible while she begins lowering the sun.
06 07.60-09.20: hard cut to 35mm overhead straight down, the actual placement into the bowl, concentric floor lines, plausible arm anatomy and height.
07 09.20-10.60: hard cut to 100mm macro of the right hand meeting the vertical wheel, sun already resting in bowl above.
08 10.60-12.00: hard cut to 50mm low lateral close shot from pedestal height, hand turns wheel, ring rises out of focus behind.
09 12.00-13.50: hard cut to 24mm low wide looking upward with the ring towering over her, illumination travels through its existing metal track, keeper below still in exact pose.
10 13.50-15.00: hard cut to 85mm close face from three-quarter front, gold light reaches cheek and eyes, preserve her current downcast gaze.
11 15.00-16.40: hard cut to 50mm medium reverse view from behind her right shoulder, same body straightening and hand released, same ring ahead; the view reveals a believable reverse side of the existing set.
12 16.40-18.20: hard cut to 85mm intimate profile close-up of her face raising its gaze into the golden light, subtle natural emotion.
13 18.20-END: hard cut to high wide 24mm from the opposite front corner, full figure beside glowing sun, the whole ring and reflected pool of light; quiet final hold.
Lenses are a cinematic visual guide, not an excuse for reframing the body. Maintain the exact temporal performance, objects and gaze of the reference at every output frame. Each hard cut produces a visibly new camera angle. The result is one coherent beautifully lit live-action film with the same original synchronized audio, no added speech or music.
