A small girl looks up at a weathered turquoise mecha beneath the laboratory skylight

AN ANIMATED SHORT · A SCENARIO EXPERIMENT

The Sleeping
Giant.

A forgotten laboratory.
A curious girl. A first hello.

Watch the film

FROM THREE 3D ASSETS TO A LITTLE WORLD01 / DISCOVER

01 / THE FILM

Something is still
alive in here.

Follow her from the forest to the cockpit. A 52-second exploration, assembled from individually directed shots.

Sound on for footsteps, hinges and room ambience. No dialogue. Download the film ↓

02 / BEFORE THE FIRST FRAME

Three assets.
One encounter.

The girl, the mecha and its glass canopy came in as 3D models. Blender made their scale, camera positions and key actions tangible.

Blender render of the supplied girl model — 01 / THE EXPLORERCuriosity sets the story in motion.

Blender render of the supplied mecha model — 02 / THE GIANTScale makes the encounter matter.

Blender render of the separate glass canopy model — 03 / THE CONNECTIONA moving part becomes a way inside.

THE STAGING STUDY

A guide for the camera.
Room for the performance.

The 3D preview planned the approach, contact and canopy opening. Its rough movement was a staging guide; the final animation needed natural steps, weight and expression.

Later exterior and interior inserts were built from image references. They did not each receive a new 3D preview.

03 / FROM BLOCKING TO ATMOSPHERE

Same intention.
A different feeling.

Slide between the planning view and the finished scene. This is a staging comparison, not a pixel-aligned render pass.

Final image with weathered materials and warm skylight

3D PREVIEWFINAL LOOK

Drag the divider to compare. Use arrow keys for a precise adjustment.

50%

04 / GIVE EVERY SHOT A REASON

Discover. Connect.
Awaken.

Storyboards established the beats. Image edits then helped repair continuity before the frames went back into video generation.

Storyboard frames one to nine: entering, finding the lever and revealing the mecha

01–09 / The discovery ↗

Storyboard frames ten to eighteen: approach, contact, canopy opening and cockpit activation

10–18 / The connection ↗

Hold the world still.

Early cuts changed the robot's scale, platform and lighting. An actual frame from the approved reveal became the reference for the new approach and climb.

Repair the first frame.

Broken glass and an inconsistent lid carried into the animation. Corrected closed, open and seated frames gave the canopy sequence a clearer structure.

Cut on the intention.

A new exterior introduction and an interior reverse shot connected the forest, doorway and dark room. Repeated entry and settling motions were trimmed.