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Handcrafted needle-felt and wool stop-motion miniature feature film. Soft sculpted wool fibers on every object, embroidered seams, fuzzy felt landscape, stitched details, textile-covered seats, translucent thin organza window glazing. Small expressive felt puppet adults with bead eyes and stitched mouths, no photoreal human skin or metal. Forest green, cream, mustard, berry and dusty blue. Rich tactile craftsmanship, controlled miniature depth, bright warm daylight. IMAGE 1 is the authoritative actual Blender frame for CAMERA, CROP, DEPTH, VEHICLE FOOTPRINT AND SEATS at 0s. IMAGE 2 is the single approved stylized identity master: preserve its medium, palette, exact vehicle design and cast identities, but use IMAGE 1 viewpoint rather than IMAGE 2 composition. Reconstruct that same vehicle and people from the source camera. Every view is derived directly from this master. SHOT CONTRACT: High establishing three-quarter view. Complete vehicle is small within the larger landscape. Match its exact source position, camera height, azimuth, road axis and screen footprint. Do not enlarge to the close master composition. IDENTITY: Exactly three connected enclosed green-and-ivory panoramic train cars, fine mustard-gold waist stripe, silver-grey felt roof, raked forward cab, broad front window, the exact side-window divisions and roof-shoulder glazing pattern of the selected master, black fabric bellows and six bogies. One dark-skinned navy-shirted felt driver wearing the same navy cap at forward controls, roughly 24 felt adult passengers in the source seats with teal, coral, mustard, blue, lavender, rose and mint clothes. Recurring slate-blue woman with dark hair in a bun beside the right window in passenger shots. Keep the train on its single track. WORLD: An Alpine valley made of wool: rolling sage felt meadows, stitched rails on pebble-like felt ballast, layered cream and grey mountain silhouettes, bottlebrush wool firs, clear pale-blue cloth sky. Maintain the exact master art direction across foreground, people and scenery. The entire image must be deliberately nonrealistic. Source proxy shapes indicate space and movement, not unfinished surfaces to copy. Camera changes visibility, not seats or construction. No text, collage, logos, added people, invented shot or change of style. Single polished 16:9 animated film frame.
















